Monthly Archives: June 2010

A new crop of venues in Massachusetts makes its way to the radar of Tongs!

Northampton, Massachusetts - is this heaven on earth?

It may not look like much, but it kinda sounds like the greatest place on Earth. Well, in the United States. In the Northeast. In New England. In Western Massachusetts. Yeah.

Hey – did y’all know there’s a totally sweet place in western Massachusetts called Northampton which has this network of venues that mostly seem to get really good music? Oh…you did? Well, shut up. I’m from upstate New York. I know nothing. (For those of you who aren’t aware, Northampton is about halfway between Boston and Albany, has a population of about 30k, and from what I can tell sounds a lot like New Paltz or any of your other standard mid-sized artsy Catskill towns. If you still don’t know what I’m talking about, Wikipedia some of that shit, yo.)

Anyway, I saw that Interpol is coming to the Pearl Street Ballroom there near the end of July in support of the new album they’re planning to release in September. This was downright miraculous for me because they’re coming to Boston on August 5th, which would be a double-booking and an extremely Sophie’s Choice-type decision between them and Local Natives, who I have tickets to see at the Middle East that night. I’m not sure if I’ll be able to make it out for Interpol as it’s kind of far and the semester will be in more than full swing by then, but I saw that the various venues in Northampton, known collectively as the Iron Horse Entertainment Group, have a lot of cool shit coming by throughout the coming months. So, for my fellow Massachusettsians, I’m going to supply you with the highlights I spotted in the schedules. You can view the complete schedules for all of Iron Horse’s venues here, too.

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This week in musical injustices

Porcupine Tree and Coheed & Cambria will be co-headling a tour this fall...

"Let's tour together, and make extra sure that we don't come anywhere near where Tongs lives!" - They actually had this conversation, y'know.

You know how you always dream about two of your favorite bands in a certain genre (we’ll call it Genre A) touring with each other, fantasizing about how awesome it would be if Band Y opened for Band X because, even though they may have mostly different fanbases, there’s a lot of stylistic similarity between the two, and oh, it’ll never happen, but if it did, it would be theĀ greatest night of Genre A music that’s ever been bestowed upon your unworthy ears, a downright mind-blowing, apocalypse-warning, balls-to-the-walling mega-event?

…Well, OK, maybe you don’t do that as much as I do. But guess what’s happening? EXACTLY THAT. Porcupine Tree and Coheed & Cambria, two bands I’ve kept in my Top 10 or Top 20 roster for the past 8-10 years, are co-headlining a dozen shows in the US this August (head below the jump for the list and more of my sorrowful ramblings):

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A few songs that have made me happy lately

As is evident from the sudden drop-off of frequent posting to this blog, I’ve been way too busy to update for the past few weeks – for those of you unaware, I just started library school last Tuesday and it’s an accelerated semester, so things have been Mad Crazy in the Tongs camp. So, I’m not really “up” on what’s been going “down” (lol) in the music world recently.

But I’ve still been listening – perhaps even more now that I’m walking to and from and sitting on the train all the time. Here’s a handful of songs that aren’t particularly new to me or anyone else and that have surely been reviewed extensively before now and blah, blah, blah, whatever, but I’ve just been liking them a lot lately, ‘kay?

Animal Collective, “Fireworks” and “Grass”

Animal Collective

I loved the moments on Strawberry Jam and Feels that, for serious lack of a better term, felt ooey-gooey. “Fireworks” is this caramel-centered little nugget of drunken sonic craziness; it lopes playfully like a guy in a dinosaur costume at a kid’s birthday party. “Grass” is intoxicated on summer love, like the band’s later song “Summertime Clothes” from Merriweather Post Pavilion; with its sing-songy, sunny, swaying rhythm, it’s like the musical equivalent of trying to walk through dry sand on a hot day. When I hear both of these songs, I’m always bursting at the seams to join in and sing along with Avey Tare’s wide-eyed, childlike ramblings – whether or not I’m surrounded by a subwayful of fellow commuters.

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